In his play M. Butterfly, David Henry Hwang presents traditional gender and cultural stereotypes of male dominance, female submission, Caucasian power, and Asian mysteriousness. The character Rene Gallimard displays typically male characteristics of strength and control when he deliberately delays contact with the character Song. He and other Caucasian characters are in positions of power within their government, and emphasize their perceived strength over Asian countries. The character Song appears to submit completely to Gallimard’s requests, frequently emphasizing traditionally female characteristics of passivity and modesty. Song also maintains a sense of mystery by refusing to unclothe herself. Ultimately, in ...
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