Essays on Jean-Luc Godard

Shot as a film within a film, La Chinoise that can also be referred to as “The Chinese,” involves five youths in the late 1960s in France who had come together to constitute a rebel Marxist group where they decide to stay together in a loft. The film comprises of five main characters: Véronique, a philosophy student, and the main leader of the sect, Guillaume who depicts himself as a theatrical actor, Yvonne, a young woman brought up in a farm in France, Henri a member of the group and Serge Kirilov a Russian pessimist. The revolutionary group ...

This paper would be dedicated to the assessment of the Breathless (1960) by Jean-Luc Godard. This movie depicts the story of wandering criminal and his girlfriend. This movie would be analyzed from the perspective of the contemporary socio-historic trends. The framework of this film was used by Godard for representation of the set of the urgent themes, as they were perceived by the director, and which have stayed relevant for the further generations. The core ideas of existentialism were represented in this movie – for instance, evident absurdity of life and importance of individual rules in context of generally-accepted social ...

In cinematography, the development of film made it possible to capture objects in movement. Contemporary technologies allow editing objects, actions and background in real time with one press of a button. In the late eighteen century, however, filmmakers did not have modern tools to create special effects and were forced to resort to cunning techniques. One of that technique is an editing. First and foremost, we should define the editing technique. What is editing in a film industry? Editing is a redaction of shots of a film. It can be a replacement, sequence change or cutting. These cuts are ...