The modernist period saw a departure from traditional modes and ways of thinking and creating art. Occurring shortly after the Victorian period, the modernist period deliberately moved away from its corseted ancestry, aiming to tell the same stories but in different modes. Among these poets was Robert Frost, whose life spanned from the end of the Victorian period into the mid-1960s. Frost was a notable poet, although not necessarily a modernist: he celebrated individuality, man’s connection with nature, and a simplicity in basic truths—he also never completely broke away from traditional forms of poetry. In his poems “The Pasture,” “Mowing,” and “ ...
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Robert Frost, an American poet of the late 19th century was dubbed as one of America’s finest poets. Literally, his poems reflect the serene appreciation of quiet living in the countryside, the simple appreciation over small things and the values of life (Fagan, 33). In this paper, I would like to argue that Robert Frost’s poems reflect individuality, despite the gentle poetic words of his poems. Normally, a reader might perceive Frost as an ‘effeminate; due to the quality of his chosen words. Most poets at the time of war use a much stronger voice in order to express ...
“The furrow followed free” (Coleridge 8). “By thy long grey beard and glittering eye” (Coleridge 5). The use of alliteration emphasizes onomatopoeic undertone of words Coleridge uses, and is helping to create the gloomy tone of what is to follow. It also adds to the darkly melodic quality of the poem, seeing that the human ear is fond of repeating sounds, in moderation.
“The sun came up upon the left, Out of the sea came he! And he shone bright, and on the right, Went down into the sea” (Coleridge 6). Consonance captures the readers’ attention ...