Essays on Tarkovsky

The following analysis of Persona and Solaris reveals how movies from unlike countries and of different genres portray the development of opposite human personalities while losing or gaining humanity under the external influences and internal self-recognition. The attempts to create a fine movie about internal and external of human life do not often impress much, especially nowadays when we experience an endless flow of visual images. Probably, it inspires people to look back at the classic works that not only represent the unusual transformations in the forms of self but also produce extraordinary rhythms in the scenes (Tarkovsky 113). ...

The cinematography is one of the greatest arts. It combines the elements of literature, theater, music, painting, architecture, ballet, etc. As a result of the synthesis of the traditional arts appears a new type of the art - film. Despite the fact that the cinematography is a relatively young kind of the art, it has already become extremely valuable for us. Moreover, it is simply impossible to imagine our lives without movies! After all, we are accompanied by them from the early childhood. Of course, cinematic preferences of a person may change, but it is also worth noting that ...

Analysis of Science Fiction Movie Solaris

Analysis of Science Fiction Movie Solaris Solaris is a Russian science fiction art film adaptation of the Stanislaw Lem’s novel Solaris (1961) shot in 1972, directed and co-written by Andrei Tarkovsky. It represents a meditative drama of psychological character set mostly on a space station that is orbiting around the fictional Solaris planet. The station had a scientific mission that was stalled as the three scientists in the crew fell into the emotional crises. This paper is dedicated to the analysis of the problems brought out by the film and the way the director managed to convey the ideas of Lem, ...