Introduction
Science fiction and disaster films often must take dramatic liberties with science and truth in order to serve a greater narrative purpose; events are compressed, effects are exaggerated, and realism and physics are thrown out the window in order to provide greater drama and spectacle (Revkin, 2004). In the movie The Day After Tomorrow, directed by Roland Emmerich in 2004, the world is subjected to global disasters brought about by climate change. The effects are myriad; global cooling sets New York in a coating of ice and freezing temperatures, glaciers crack and separate, and a “superstorm” is said to cause rapid climate ...
