Men in Cages: Alienation and Liberation in Collateral (2004) and Phone Booth (2002) The thriller and neo-noir genres have always been preoccupied with lost men in dark cities – the presence of the towering modern cityscape in urban thrillers is often used as a metaphor to demonstrate mankind’s alienation in a sprawling, dehumanizing, technology-obsessed city. “What makes the portrayal of the city [in film] as a wild, savage place plausible to us is at least in part our cultural memory that the city can legitimately be described as a jungle” (Light 155). The urban thriller often depicts city life as a depressing, shallow ...
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