The juxtaposition style is displayed in the opening remarks of Soviet Revolutionary, who asserts that “Revolution is war.” The assertions are accompanied by images in which water crashes on the rocks. It is a demonstration of constant collision that later shook the battleship to the end of the film. The theme of disturbance and collision is at play, and the juxtaposed ideas are made bear in the form of change that is accompanied by destruction. The two ideas are combined subconsciously to ascertain the montage theory. The theme of conflict is used for the conveyance of images to provide ...
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