The main purpose of any tragedy, as it is claimed by Aristotle, is based on the notion "catharsis" (Milch), which is a fundamental element in the drama. Catharsis, consequently, as described by Cambridge Dictionary, is considered “the process of releasing strong emotions through a particular activity or experience in a way that helps to understand those emotions”. Thus it was expected from the Aristotelian audience to be feeling a great level of emotional connection towards the actors, greatly empathizing with them – it concerned mainly such feelings as fear and pity. The ultimate aim of this approach was for the ...
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