The seventh chapter of Constance Hale’s “Vex, Hex, Smash, Smooch” defines how the handling of Verbs could be better. Passive Restraint provides a four-way split on how to treat verbs. First to acknowledge, is that passive-versus-active argument is counterproductive, but worth the Vex (Hale 152, 154). In fact, today more than ever, not only us the passive necessary, it’s normal because we need it for announcements, lengthy empathy, or illustrating a lack of action. What makes the passive verb a literary sin is the ambiguity it is often used for: filler, also to be known as the Hex (165). In ...
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