This paper will look at love, sex and gender within the backdrop of postmodernism, existentialism and orientalism in the novels The Women of Algiers in Their Apartment by Assia Djebar, Foam of the Daze by Boris Vian and The Lover by Marguerite Duras. In the novels love/ and sex are shown as something that a woman has no control over, something that destroys due to its intensity, and something that forever changes a person, respectively. While gender is seen as being something that disenfranchises women in a male dominant, unequal society and something that can destroy a man if ...
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