INTRODUCTION
The National Theater is one of the last awesome structures of the time of open segment design," said architectural historian Kester Ratterbury, "of a truly eager open office which tried to act naturally, not a poor duplicate of business work." "In spite of the fact that marking things is constantly unacceptable, it epitomizes a portion of the best parts of Brutalism: its dynamism, its instinctive feeling of stun, and the rich, complex and profoundly relevant spaces it makes. Prince Charles equated it to a nuclear power plant. Concrete is utilized for its crude and straightforward genuineness, standing out drastically ...
