Marjane Satrapi’s magnum opus tells us the story of an Iranian upper-middle-class girl (Schjeldahl), who is forced to relinquish her childhood with the onset of the Islamic Revolution of 1979. Personally, I think “Persepolis” tackles a range of complex issues: personal and national identity crises, political continuity versus revolutionary change, and the struggle of collective fundamentalism against individual self-preservation. The psychological, political and cultural themes coalesce to deliver a crude and compelling message. At the end of the novel I was left with the impression that the Iranian people were tragically blinded; first, by a naïve and ...
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