Essays on Indian Cinema

Part One

Evaluation of Martin Barker’s Research The portrayal of rape on screen is a complex issue for a number of reasons. The cinematographers need to be aware of the effect of these scenes on the audience, and ensure that it is included in the film for a purpose that befits the film and the plot. Barker, as part of a BBFC report on sexual violence on screen, assessed the reaction of natural audiences of films with scenes of sexual violence - A Ma Soeur, Baise-Moi, The House on the Edge of the Park, Ichi the Killer, and Irreversible (2013). ...

One of the top most grossing industries or sectors in the contemporary society is the entertainment industry. Increasing standards of living around the world have allowed individuals to accumulate bigger disposable incomes. Lifestyle changes continue to arise within the contemporary society owing to the growing, improving incomes. Consumables that were previously unprofitable have since become among day-to-day products. The growing entertainment industry is one such sector. The focus of this paper is to analyze the industry, growth process, and evolution of the cinema industry in India. The growth of the movie sector is one of the indicators of a ...

Throughout history, Bollywood films have illustrated a representation of women in India in various forms. Arguably, it is certain that Bollywood films comprise of gender-based stereotypes. The female characters, situations, and plots concerning women in Indian films have been steered by stereotypical ideologies. Across the globe, extensive research had indicated that Indian films top the list of undermining women. Moreover, a sample survey established that Indian females, for an extended period of time, have portrayed females in sexualized roles. It is well-known that the notion of objectifying women on the screen has been a conspicuous issue that the films ...

Introduction

Cinema in India is a very powerful tool that has succeeded in influencing the minds and image formation of the viewers all across the country. Although the films are made in several Indian languages targeting several viewers across the populace, it is important to note that it is only films made in Hindi have appropriated the label of the Indian cinema. In spite of a large amount of critical work that has been produced on Indian cinema in the last decades since independence, there are several misconceptions that still abound about Indian cinema. This essay is going to critically ...

Many critics called the film Sholay (1975) directed by Ramesh Sippy the best film in the history of Bollywood, or the "Film of the Millennium". The critics praise it so much so that several critics insist that "innovation in Hindi films ends with Sholay and that everything after that is repetitious trash" (Banker 55). This picture is a mix of crime thriller with the elements of "Japanese samurai epics and American and Italian Westerns, most obviously The Magnificent Seven (which was based on Akira Kurosawa’s Seven Samurai)" (Banker 55). The director involved a number of best Indian actors ...