Essays on Judy Chicago

Introduction

While the political avant-garde of modernist movement had a celebration of dissidence and proceeded to advocate a revolution of art and contemporary life, postmodern art delightfully exist in a world that shows the pluralism of atheistic manner and way of play. Art hardly ever functions on a critical level: the political prospect becomes separate from contemporary art functions. Postmodern art turns to represent not only the consumer society that we live but also a privileged commodity. In the 1960s, "committed" art had turned to be the pillar if artistic postmodernism. Gender issues, class, and race become central particularly following ...

Conscious-raising refer to a situation where women share and discuss their personal experiences with each, which are then turned into political actions. It has been used by women till date in their fight for equality due to its effectiveness and its origin from feminist poetry. There are three waves of feminism, which were based on timelines with the first beginning in the mid-nineteenth century culminated by the 19 amendment, which enabled women participation in voting. The second wave of feminism was more radical, and it began in the late 1960 based on the creation of sexism. The third wave started ...

Step 1: Initial Exploration and Analysis

“The Dinner Party” by Judy Chicago is a massive work to undertake and understand. It is an installation art piece, and there is some general philosophy and background that must be understood to understand the visual design of the piece itself. The primary artist of the piece, Judy Chicago, has never hidden the fact that “The Dinner Party” is a feminist work of art (Brooklynmuseum.org). It has 39 place settings, and those place settings sit at evenly spaced intervals around a triangular table (Brooklynmuseum.org). Unlike some pieces of art whose interpretation may be more open, every stitch in every napkin and piece ...

Judy Chicago (American, b. 1939). The Dinner Party, 1974–79. Ceramic, porcelain, textile, 576 x 576 in. (1463 x 1463 cm). Brooklyn Museum, Gift of the Elizabeth A. Sackler Foundation, 2002.10

The Dinner Party by Judy Chicago is an important piece of feminist art of the 1970’s comprised of a mixed-media installation that combines craft media with sculpture. The Dinner Party depicts a large ceremonial banquet, arranged on an equilateral triangular table covered with thirty-nine place settings, each celebrating an important woman in history. Each side of the triangular table represents a different epoch: Wing I depicts historical feminine figures from ...