“Artists are men who wish to become inhuman. They seek painfully the traces of inhumanity, traces which are never found in nature. These are real truths and beyond them we know no reality.” 1 Art such as paintings and sculptures are man’s way of expressing their thoughts. In the eyes of an artist, they can see the suffering behind the beauty, and this reason allows them to create beautiful artworks. Artists desire to fully express themselves using only their canvass and their brush; hence, they will attempt to construct their masterpiece in the most creative way in ...
Essays on Eye Of The Beholder
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The Individuality or ‘Plastic Sheen’
The Individuality or ‘Plastic Sheen’ The whole concept of ‘beauty lies in the eye of beholder’ is not applicable everywhere. Beauty first of all lies in the belief and conscience of an individual which is poignantly reflected through demeanour. And then, the beholder too finds beauty in that individual. When one begins to read The Eye of the Beholder by Grace Suh, it is inevitable to occur in mind that how such an author can fall for the feeling of ‘stark ugliness’ about herself (par. 2). But, then through her realisation of what she really is rather than ...
The statement: ‘beauty is in the eye of the beholder’ could be examined by first analyzing the meaning of ‘eye of the beholder’. The beholder is the person who assumes the point of view and sees beauty from his or her perspective. Since each individual is unique, the perception of beauty is subjective and relative. What one person regards as beautiful could be distinctly different from another person’s point of view. The disparities in what one regards as beautiful could be accounted from the way each individual has been raised, the factors or criteria that were imbibed within ...
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ORDER AN ESSAY- Does Hume find a standard of taste for art? Do you agree with Hume that certain people are in better position to make value judgements about the quality of works of art? How important is his claim to his account?
Hume’s "Of the Standard of Taste" wrestles with the objectivity of judgement of taste.
The standard of taste judged by its best critics comes from his idea of drawing a distinction between the subjective and the objective. Common sense dictates that aesthetic taste is subjective but common sense also dictates that some works of art are objectively better than others, to Hume this a distinct paradox, both cannot be true. Hume argues that ...
Today’s media is keen on making us believe what they want us to believe and implying many concepts. Among these is the concept of beauty. Over the years what is to be considered beautiful was always defined. In the modern world this has its positive and negative sides. On the one hand, beautiful is healthy. This means that media quite often forces people to take better care of themselves, do more sport, eat right and lead a healthy lifestyle. Unfortunately, there are those who take it too far and we end up facing problems like anorexia. Quite often the ...
Introduction and thesis statement:
One may see beauty in several forms but essentially this is how we perceive others in our own light. McCuen Metherell and Winkler advise that one can take a story regarding a film as a typical example and look at the diverse aspects of beauty as perceived here (McCuen Metherell, Winkler Ch 10). Although American Beauty is a film which may perhaps not fit the bill perfectly in this respect, the authors in the book will most certainly appreciate the techniques and skills which are used to focus on beauty as an intrinsic natural issue.
A typical example would be when one person ...
Eye of the Beholder: Guilt and Politics in ‘The Thin Blue Line’
1. In her treatise, Patricia Aufderheide explains that documentaries offer a portrait of real life that seeks not to manipulate the material being presented (Aufderheide, 2007). The documentary generally puts forth some kind of analytical argument or story in a narrative flow. The Thin Blue Line meets those criteria, but pushes the boundaries of this kind of storytelling. In fact, Errol Morris’ 1988 film is one of the most interesting attempts to combine intensive interviews with interpretive imagery and staged recreations of the events in question. As one of the first documentaries to adopt what was, at the time, a hybrid approach, ...
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