Abstract
In this essay, two Renaissance paintings are compared in terms of their form, subject matter, and content. Leonardo da Vinci’s Mona Lisa and Raphael’s Madonna and Child are both seen to have incredible depictions of contemplative, enigmatic women interacting with nature, thus indicating a serenity with their surroundings. However, while the Mona Lisa directs her attention to the audience, inviting them to revel in her beauty and the glory of nature, Madonna and Child directs that same serenity and beauty from the woman onto the baby and the book that she is holding. This indicates a slight separation from
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