“Pure philosophical writing is the anti-image.” – Agamben
In exploration of frameworks of both covert and overt manifestations of indeterminacy, these concerns are revealed, as representations, in philosophies of aesthetic iconoclasm and art, artifacts as symbolic, and modern issues related to Being and subjectivity, both of which are analogous to Nietzsche’s model of the relationship. For example, tragedy, comprised of Dionysian and Apollonian forces which combine in a chiasmic unity of oppositions, according to Professor Fred Ulfers, are characterized by Nietzsche as beautiful, singular and factual on the one hand (Apollonian), and sublime, multiple, and fictional on the other (Dionysian). What is reflected as desire and unformed wilderness arises as art and various forms of representation.
